In Kingdom of Without, Andrea Tang pens a story about socioeconomic class differences and the challenges that those in the lower classes face just to survive. To tell her story, Tang creates an allegory that bumps up against truth and gives the reader ample food for thought. Set in Beijing, nearly 150 years since General Yuan Shikai successfully declared himself the Emperor of China in 1915, the story opens in the Sixth Ring, where a seventeen-year-old street urchin is getting new prosthetics from Ge Rong. An art and engineering savant who is talented not only with biohacks, Ge Rong engineers tools and techniques for aRead More →